Category Archives: Mirage

Mirage 1.9.6.1

Here is the new version of Mirage featuring OSC control mappings for the awesome Konkreet Performer iPad control surface.

Note: Mirage works just fine on its own without KP too, just map some MIDI controllers or use a mouse. A TouchOSC template will follow

Update: Download link now goes to version 1.9.6.1 which is the same as 1.9.6 except the Mirage instrument header is set to visible, making it easier to get into instrument properties and change the number of voices. It arguably looks “neater” with the header bar hidden but isn’t as noob-friendly.

This version is free for owners of previous versions. Download here – your existing password will open the archive.
The new version includes extensive feature enhancements and numerous bug fixes, and carefully thought out, tested and integrated Konkreet Performer mappings. Mirage snapshot recall will also recall node positions and transmit them to Performer on your iPad.
mirage 196 diagram
This time out the sample material is mostly one-shots to work in conjunction with the added pitch correction. Adding longer phrases and snippets of songs works well too but with the one-shots you can do something more deliberate and compose a part for a pre-existing track. I find with long phrases there are only a couple of note combinations that work well and what you come up with will have a mind of its own and suggest its own composition.There are a couple of trashed piano field recordings in here that rattle beautifully – nothing like hitting the harp directly on a piano that’s sat out in the weather for a few seasons.

To use Konkreet Performer with Mirage, set up a 4 node layout with visible node labels, activate trigger hold, and set inertia to 30. When touching and moving the central node, the other nodes will slowly track and follow, creating a sort of manual LFO that slowly snaps back to the snapshot’s original settings.
The Mirage package includes a separate translator ensemble that can be run in Reaktor standalone, parallel to a host using Mirage as a plugin, to translate Konkreet Performer’s native OSC signals to MIDI. Use MIDI Yoke on Windows or the IAC driver on Mac to reroute MIDI from the translator to your host.
Mirage is $15 and a license can be purchased here:Mirage Add to Cart

Or, save $$ and buy the sampler pack which includes Loupe and ParamDrum.

Any questions? Ask away!

Introducing the Reaktor Sampler Pack

Note: from now on buying Loupe on this page automatically gets you a copy of the new Loupe 2 as well! 

I’m pleased to release three new granular sampling instruments for Reaktor: Frame 2, Loupe and Mirage.

Each one has its own character and purpose. Frame 2 is a simple looping sampler designed for live control of loop points and other parameters. Here’s the cheat sheet:

Frame is free and you can download it here. This is an update to the original Frame – it adds a nicer GUI, clearer graphical start and end points on the waveform, and some small under the hood enhancements. Here’s a bit of improv to hear how it sounds:

The next instrument is Loupe – a polyphonic looping slicer for quickly mapping arbitrary (that is, non-beatsliced) sections of a sample to different MIDI keys.(note: purchasing this version now gets you Loupe 2 as well)

How it works: hit a MIDI key and hold, then click and drag to set loop location and length in one gesture, then click and drag in the XY controllers to set pitch, pan, gain, envelope, reverse / forward and filter parameters. Each slice / note has its own settings. It’s great for remixing. By default it has four voices but set more in the instrument properties if you want ’em.

It’s primarily intended for mangling melodic samples but percussion works too. Here’s what it sounds like:

Like Frame 2, Loupe is self documenting through extensive tool-tips. None of the controls are too small or too fiddly. You can learn how to use it in minutes but I think you’ll find a million uses for it. This reflects my instrument building philosophy that an instrument should give you musical leverage without making you feel like you’re endlessly flipping switches on a room-sized computer from the 1960s.

I use a Maschine MIDI controller and like to map each row of four pads to musically related slices so I can play a particular idea or phrase on different rows. A different pad (or MIDI key) can have the same slice but with a different length, or a different pitch, or reversed and panned differently, or all of the above.

Loupe can be downloaded here. A password to unlock the archive is $20 USD and can be purchased here:

Loupe Add to Cart

The third weapon in the sampling pack arsenal is Mirage.

Mirage is a granular sampler inspired by three things – the music of Tim Hecker, my laziness, and my disorganization. 😉 It’s sort of like a trapper keeper for ambient sampling. It lets you select an area of a sample to work with, then allows you to set your granular parameters, per-voice filter settings and pan, voice retrigger frequency, and other things – and crucially, it remembers the pitches you play and saves them with a snapshot when using the “Hold” button.

This creates a host-independent sketchbook for sound design and composition. When you stumble upon a magic combination of samples, settings and notes, everything saves together in the instrument for later recall, refinement and mixing.

When you DO find something magical, you’ll find you can just sit there and listen to a snap for an indecent amount of time as the separate voices crawl across the waveform hypnotically.

Here’s what it sounds like:

Mirage is aimed at a different musical goal than Loupe – you might say that if Loupe is a paintbrush for cubism then Mirage is one for impressionism. Both instruments differ, then, from the typical granular sampling feel and sound which in my mind is more like pointillism.

Mirage can be downloaded here – A password to unlock the archive is $15 USD and can be purchased here:

Mirage Add to Cart

If you want to know more leave a question in the comments or hit me up on twitter.

Special thanks to Felix Petrescu for beta testing Loupe and helping to make it a better instrument!

NOTE: these ensembles are built for the latest full version of Reaktor – version 5.5.1 – it’s a free update if you have 5.15.

Several newbies have asked me about adding samples. See here and the resource page.