Tag Archives: delay

Download These Three Great Reaktor Ensembles from the User Library

Sometimes excellent Reaktor builders pop out of nowhere, and post one or more terrific ensembles to the user library and all we can do is gasp, download and appreciate! Here are three new ensembles by user Ward de Jager.

4 taps, 2 lines, 1 earth is a modulated multitap delay effect that does everything from pitch shifting and dubby delays to flange and chorus. It’s nice looking and nice sounding, and will be providing competition in my plugin folder to Fabfilter Timeless 2. Some of the pitch shift presets remind me of Blackbird, another user library goodie you should check out if you haven’t already. 

Cheby Shaper is a waveshaping effect that implements the Chebyshev polynomials. Translation for the non mathematically inclined: it f*cks up your sound nicely. A harmonic editor lets you drag the mouse to fine tune the sound.

Finally, and this may be my favorite, a Modal Bank ensemble. The Modal Bank is a module that lets you do physical modeling in Reaktor – exciting a bank of harmonic overtones with an “exciter” signal. It’s easy to get percussive, chiming, bowed and blown effects with this technique. There’s a tutorial ensemble that ships with Reaktor 5 demonstrating the module, but this one is much nicer. There’s only one snapshot here but new snaps are a breeze to create. Set the parameters of the partials, then set the attack, decay and noise cut off to choose how the “exciter” will sound. Finally, adjust the damping, which will determine how long the overall sound rings on.

Salamanderanagram over at nireaktor.com has a really good tutorial on the Modal Bank you should check out to learn more.

Download all three of these ensembles here.

Boscomac releases Delight Delay


Boscomac has released Delight Delay, a graphically sequenced delay effect for Reaktor:

DELIGHT DELAY is a pattern-based delay controlled by a sequencer. A central display allows you to set the level and filtering rehearsals and so draw a pattern. You can set the number of repetitions (1 to 15) determine the tempo (1/4 to 1/32), adjust the stereo (mono or pingpong) and adjust the blend.

Very easy to use, this delay grooves with guitars, runs with synths, installs synchronized vibes and many other things  

Delight Delay joins Boscomac’s already superb line-up of effects that includes Stellar and Echophonic, to name two of my favorites.

Ghost Shift 1.1 with Konkreet Performer mappings

When I released Ghost Shift I didn’t have live control in mind other than mapping a MIDI fader to the mix control. However, the recent update of Konkreet Performer got me thinking, and I realized there was an easy way to map Performer parameters to the individual delay taps in Ghost Shift. Here’s how that turned out:

Here’s how it works: you set your number of delay taps – I find three works well – in the Ghost Shift instrument properties. The node visualizer instrument is voice-slaved to Ghost Shift so its number of nodes / voices should auto adjust. If it doesn’t, turn Reaktor’s audio engine off and on again.

Make sure Reaktor is set up to receive OSC from Konkreet Performer on your iPad. Here are the setting screens inside Performer, showing which parameters and settings I’ve used:

Notice that every node parameter is active, from angle and length to X and Y. We’re going whole hawg here, using every part but the oink. Also activate the ribbon, which controls the mix of dry and wet signal.

So how does one obtain this marvelous and endlessly entertaining Ghost Shift device? Click here:

Add to Cart

It’s free! Enjoy!

Ghost Shift: Multitap Filtered Delay Effect for Reaktor

Heeeeere’s Ghost Shift!


Ghost Shift is a delay effect based on an earlier version of mine called Pumpkin. I’ve reskinned it, added functionality and fine tuned the filter and feedback parameters for easier sound tweaking.

The major thing you have to know about Ghost Shift is that each delay line works as a separate voice in Reaktor. Adding more voices in the instrument parameters…

…is gonna give you more delay taps, and magically, the number of controls in the delay time, pan etc. graphs will auto-adjust to the number of voices / delay taps.

Each voice can have its own delay time as a multiple of 16th notes, separate pan, feedback and filter settings. I’ve included just a handful of presets because the settings are going to be highly dependent on the material you’re running through the instrument. Really sparse input with lots of space can have more delay lines and more filter feedback. A more full audio track, like a drum kit, will benefit from no more than three delay taps, widely panned, and not much feedback. Let experience and experiment be your guide.

Everything’s tool tipped and self explanatory. A saturator can boost the signal as well as keep it from clipping unpleasantly at the output. The one control you will want to have mapped to a controller or mod wheel is the Mixer, so you can crossfade between dry and wet signal. You’ll hear that happening in this Soundcloud demo:

So how does one obtain this marvelous and endlessly entertaining Ghost Shift device? Click here:

Add to Cart

It’s free! Enjoy!