Tag Archives: instrument

ParamDrum for Konkreet Performer

Please note: though this version of ParamDrum has Konkreet Performer mappings, Konkreet Performer is not mandatory. ParamDrum works just fine with a mouse or any MIDI controller.

Hey kids! It’s time for yet another update of ParamDrum.

This time the big deal is Konkreet Performer mappings. Performer is an iPad app that gives you tactile control over anything that can receive OSC, such as Reaktor. Free utiities also let you translate it to MIDI for software and hardware that can’t receive OSC. How good is Konkreet Performer? It’s the reason I went out and bought an iPad in the first place.

Here’s a cheat sheet with the lowdown on who does what where and when in the KP interface:

ParamDrum 3 kp

For those of you who don’t have KP (go get it you fools), the new version still includes a new sample set, a whole lot of new snaps, and new features including optimized randomization.

Screen shot 2011-07-13 at 6.49.38 PM

A funny thing about the beats this thing throws down in conjunction with Konkreet – it’s so easy to make crazy fun beats that you’ll be making and saving one after another at a furious clip. That’s why this edition of ParamDrum has so many more snaps compared to earlier versions. And among the most warped of them, you will find that they only make sense early in the morning when your ears and mind are fresh. When your ears, body and mind are exhausted, late at night, you will lose the ability to follow the sickest beats. So never delete snaps late at night. True story.

ParamDrum KP is free for owners of previous versions. Did I mention that you also need a working installation of Reaktor to use it? I should mention that. You can download ParamDrum KP edition here. Don’t have ParamDrum yet but want in on the game? Buy a license here:

Add to Cart

Update: Due to changes in default settings for the latest versions of Konkreet Performer, not all parameters are automatically mapped. Quickest way to fix that is to install this bank in Konkreet Performer via iTunes. Instructions on working with Konkreet banks can be found here.

Loupe 1.5 for Reaktor – now with bidirectional OSC mappings for TouchOSC

From now on, buying Loupe on this page also gets you a copy of Loupe 2!

Here’s the release version of Loupe 1.5, with some added features, bugfixes, and a new layout for TouchOSC.


Changes include:

  • Added copy / paste slice (fixed since beta)
  • Added duplex OSC mappings for TouchOSC
  • Added two page OSC iPad template 
  • Fixed release envelopes cutting off prematurely

You may download it here. Update is free for owners of Loupe 1.0 – same license info will unlock Loupe 1.5. Don’t have a license? It’s $15 USD and can be purchased here:

Loupe Add to Cart

Here’s a better look at the TouchOSC layout.

Above is the slice page. Each of the sliders gets updated from Reaktor when you trigger a new slice. This lets you see the loop area, filter settings, envelope settings, etc. of each slice and adjust them. Copy and paste buttons let you copy slice parameters to a different key – handy if you want the same thing on a different key except for panning, or reverse playback.

There’s no way to get the sample waveform to display in TouchOSC, but the large green XY pad works the same way as the Reaktor Loupe GUI – X position sets loop position, Y sets loop length. I actually prefer working with my ears this way instead of looking at the display – it’s a more hardware-y approach.

Above is the global page. This selects the sample, global position offset, position LFO and other global variables. You can use this as a performance view once the individual slices and keys are adjusted to your liking.

In order to get this fully working with Reaktor, it’s necessary to set up bi-direcitonal OSC addresses. Reaktor has to talk to TouchOSC. Here’s how to set that up in Reaktor:

The identifier “ipad” is necessary – that’s what all the OSC send terminals in the instrument are mapped to. Take note of the ports and addresses. Reaktor’s receive address should be TouchOSC’s send address and vice versa. Here’s what it looks like on the TouchOSC side:

That will get the OSC connection going both ways. But wait, there’s more! You also need to set up a WiFi MIDI session between your iPad and computer. Here’s what that looks like on my Mac:

Selecting your iPad and hitting “Connect” should be enough to enable the session, as long as you have CoreMIDI enabled in TouchOSC. Windows users can use rtpMIDI.

Whew! This may seem like a slog at first glance, but it becomes clearer when you sit down and set up the connections, and the result is worth it. It’s magical in a dark room late at night, just you and your headphones and the controls and samples. Let me know what you think, how it’s working for you and any suggestions for a better layout.

If this is your first look at Loupe, you might also be interested in the other two instruments in my sampler pack, Mirage and Frame 2.

Update: here is a download of the TouchOSC template on its own, if you don’t have Loupe and just want to check out the mappings and naming conventions I used. I didn’t know at first that leaving a TouchOSC control’s OSC address pattern as “auto” named it according to /pagename/controlname. Quite handy for homing in on the address you want when you’re trying to select from a long dropdown menu in Reaktor.

May 15th minor update: Loupe version 1.5.1 uploaded – fixes OSC address patterns for copy and paste buttons.

Introducing Loupe 1.5 Beta

I’ve added some enhancements and fixed some bugs.

  • Most notably, there is now a key/slice copy and paste function. If you want to start with a key/slice, copy it to a new key and modify it, here’s what you do: press the key (middle C for example) that contains the settings you want to copy, click the copy button, then press the destination key (C sharp for example) and click the paste button. Then you can make the new copy as subtly or vastly different as you please. 
  • I’ve nailed down a crash problem that some of you may have been encountering when playing different slices very quickly from a MIDI keyboard (or the computer keyboard for that matter).
  • All the parameter IDs have been sorted and compressed to aid VST automation in a host.

The 1.5 beta can be downloaded here. The archive password you received previously will work with this new version. 1.5 should work perfectly but I’m calling it a beta until more people than me have tested it!

For more information and to purchase, click here.

Arcturan UltraTheremin for Reaktor and Konkreet Performer

 

The Arcturan UltraTheremin, perfect for a little serenading on Squornshellous Zeta after a few too many pan galactic gargle blasters. Designed for Konkreet Performer and iPad control via OSC.

It’s a three voice instrument played with three nodes on a Konkreet Performer touchscreen. The angle represents pitch, proximity to the central node adds vibrato.

Will upload the file if there’s interest… how many people are using KP with Reaktor?

 

And you probably thought the polyphonic theremin was a joke!

ParamDrum 3 is Here!

ParamDrum 3 has arrived.

ParamDrum is a fun and fast way to create unique sounding beats in Reaktor. It’s based on three granular samplers with built in parameter automation and variable length and speed step sequencers. The value of a step gives the probability that the step will trigger as the sequence plays, creating endless variations.

The third edition adds several carefully selected refinements.

  • All recordable parameters are now mouse-automatable by clicking and dragging on the indicator, perfect for when you’re stuck with a laptop but no MIDI controller.
  • The GUI now matches Frame, Loupe and Mirage with a clearer layout that is easier on the eyes.
  • Smooth and swing are now static parameters, making room for envelope decay and sample start as recordable parameters. Try modulating sample start with a melodic sample to build the foundation of a track right in ParamDrum.
  • A “Max Vel” switch for each sampler allows full velocity for each step, so step value affects only probability.
  • A virtual analogue “sub” kick unit has been added for layering a little extra earthquake with your sampled kicks.

Aside from these improvements the rest of the instrument will be familiar to previous users and retains the ultra fast and fun workflow of earlier editions. The PDF manual still applies, and new users are also advised to watch this video to get an overview of the instrument:

ParamDrum TR Edition from Peter Dines on Vimeo.

(the video features an older version)

ParamDrum 3 is a free upgrade for anyone who’s already purchased a license and can be downloaded here.

If you don’t already have ParamDrum, what are you waiting for? It’s 15 bucks and you can get a license here:

ParamDrum Add to Cart

Requirements: A computer capable of running Reaktor 5.5. ParamDrum is extremely CPU efficient and unless your computer was hewn from flint by neanderthals you should be more than fine. It takes 2.7% CPU on my 2009 3gHz iMac.

Mac users take note: I now recommend SimplyRar for unarchiving password prrotected RAR archives on OS X. Newer versions of The Unarchiver sometimes give error messages when dealing with password protected RAR files.